Company research: Yamination studios

http://www.yamination.com/

Yamination studios is situated in Birmingham, which is about an hour and a half from my home town of Milton Keynes. The company was founded in 2009 by Drew Roper, a multi-award winning stop-motion animator. The studio was created to spread the joy, charm and originality of animation.

You'll have seen some of the work done by Yamination studios if you saw the 'Barry the Biscuit Boy' advert for Cravendale, Yaminations helped Blink Ink in London to product that.

It's inspiring to see a local animation company being sucessful. Also seeing their puppets and how they've been made as part of their portfolio is inspiring myself to potentially apply to work for them in the future. I love their style and feel like they could be a good fit, if of course they are looking for model makers.   

Currently in production is "at-issue" 

"An unemployed puppet has the chance to audition for his dream job, following in his father’s footsteps, but a bizarre affliction strikes him, and unless he can learn to be himself his dream will not come true."

http://www.yamination.com/about/

Company research: Laika

http://www.laika.com/

LAIKA is an animation studio that produces feature length films as well as shorts from scratch. Their latest feature film, The Boxtrolls, opened in September 2014.

Prior to The Boxtrolls, ParanNorman (2012) was nominated for both an Oscar and a BAFTA.

The company's first stop-motion animated feature film, Coraline, was release in February 2009, and received critical acclaim. With the release of Coraline, the stop-motion feature directed by Henri Selick based on a story by Neil Gaiman, that the company established its reputation.

Paranorman (2012) The film I went to the cinema to see days before starting my degree in BA (Hons) Animation.

They are a community of artists and technicians who create original animated content. They handcraft and transform everyday materials into living creatures with life and soul.

Laika newest film in the making is called “Kubo and the two strings” set for release in August 2016, distributed by Focus Features, and directed by Travis Knight.  

Sean Gregory, a student who graduated last year from the same University that I am currently at, has been hired by Laika to Animate on "Kubo and the two Strings." He moved over to the States a couple months ago to begin his incredible adventure. 

Check out Sean's Blog/Website below, he is one hell of a talented guy. 

http://seangregoryanimation.blogspot.co.uk/

This is the tortoise that Sean made for his final student film. 

http://seangii.wix.com/seangregoryanimation

Bridget Phlan who is currently one of the art directors on Chuck Steel: Night of the Trampires, had been working with Laika on Boxtrolls, (and has worked on other films with Laika) before her current role at Immortal Pictures. 

I think my favourite Laika production is still Coraline (2009) though. The puppets are incredible (they are in all their productions) but I think its the specialness of the storyline that makes the movie for me. The "Other" mother with her strange buttons for eyes, and Coraline's unique adventure. 

http://www.laika.com/

Company research: Aardman Animations

I have looked into the Bristol based animation studio quite thoroughly as I did my dissertation on marketing stop-motion animation as an art form. Looking specifically at two animation studios as case studies. The well established Aardman animations and the fairly new company Laika. 

http://www.aardman.com/

In 1972 Peter Lord and David Sproxton registered the name Aardman Animations, and began their 

partnership. After graduating they moved to Bristol and created Morph for the children's programme 'Take Hart'.

From the start Peter and David were interested in developing an adult audience for model animation. Conversation Pieces commissioned by Channel Four Television in 1982 enabled the pair to develop its innovative technique of animating puppet characters to real-life conversations. With films like Early Bird (set in a local radio station) Aardman demonstrated that real people could be characterised with insight, humour and sensitivity.

    http://www.aardman.com/the-studio/history/ 

Aardman's audience is one that includes everyone of any and all ages. 

The name Aardman comes from the name of a super-hero character imagined and designed by Peter Lord when he was 15. The “aard” prefix itself derives from an African anteater, the aardvark. This traditionally animated film about an “Aardman” was eventually sold to TV, and from that point Peter Lord perfected it.

Peter and David met Nick Park at the National film and television school, where he was working on his student film, A Grand Day Out. He joined Aardman full time in 1985.



1993 saw the completion of the Oscar winning 30 minute film The wrong Trousers, which has become one of the most successful animated films ever made. 

In 1995 they produced Nick Park's third Oscar winning film A Close Shave, which was an 

immediate success establishing Aardman's reputation and making Wallace and Gromit household 

names.

The year 2000 brought Aardman's first full-length feature film Chicken Run, funded by Dreamworks. It was released in the UK and the US at the same time and received excellent reviews and outstanding box office receipts.

In 2006 the studio release their first CG film Flushed Away, by Dreamworks. Although the film was 

not stop-motion animated, the CG characters had the same style and texture as Aardmans characters, so people still knew it was an Aardman production. 

In 2008 Wallace and Gromit's A Matter of Loaf and Death was broadcast on BBC One and captured a record audience of 16.15 million people. It was nominated for an Oscar in the Best short Animated Film category and went on to win a BAFTA. This means that every Wallace and Gromit film has won a BAFTA and they have all been nominated for an Oscar.

In 2009 Aardman partnered with Tate Museums and Legacy Trust UK on a major filmmaking project, a challenge to get children across the UK to come together and contribute ideas for an animated movie via a successful online community. This was the first Tate Movie of its kind, and on the films release it set a new Guinness World Record for the ‘Largest Number of Contributors to a Film Production’. The project won a number awards including BAFTA for Best Interactive. Aardman now holds three unbeaten world records. They have expanded their company in numerous way, showing the world who they are and what they can do, and what better way to get your audience involved and making them feel like they matter than asking for their ideas for a movie.

While I was doing my research about Aardman Animations I get the feeling that they are a very enbracing company and the more I learnt about them the more I want to work for them.

I am going to Annecy festival in June with some of my classmates, and we are currently trying to find a way of visiting the first ever Art of Aardman exhibition in Paris.

"Over 400 concept drawings, character and background studies, watercolours, and storyboards will complete this exceptional exhibition, where one can even discover Nick Park’s sketchbook as a student, containing the first drawings of Wallace and Gromit, never before seen by the public. The exhibition will display numerous screens, allowing visitors to discover as a family the incredible creativity of the studio, through extracts of its most famous films, but also with more than 60 short and feature films, hilarious advertisements or magical video clips"
http://www.aardman.com/first-ever-art-of-aardman-exhibition-opens-in-paris/

Company Research. Factory Transmedia

A multi-genre animation studio, stop - motion, GCI and 2D animation. A studio equip for it all from concept design all the way through to post production and delivery. Having worked on some of the most iconic animated television projects, commercial and series, of the last Twenty Years! 

FIFI and the Flowertots! 

BAFTA nominated Strange Hill High! 

And of course the new series of the famous 1969 British stop-motion series for children. About a family of mice - like - creatures, who live on and inside of a moon-like planet... 

The Clangers!!

Factory Transmedia worked closely with the talents over at Mackinnon and Saunders to produce the Clangers. 

They have a huge client base from CBBC, CBeebies, BBC, Disney, Milkshake, Nick Jr, Sky, Ribena, String cheese, Cadbury and many more. 

Check out more of their incredible work and ongoing projects on their website: 

http://www.factorycreate.com/

Companies and individual inspirations/ research: Harry Potter

I recently decided that I wanted to re-watch all the Harry Potter films, and they got me thinking, they employed people to make their props and make the prosthetics for all the different creatures and monsters. Aragog, the giant spider, was an animatronic not computer generated. Models for Kreature and Dobby were made, and when I was chatting to some of the guys working on Chuck Steel, some of them have made things for live action films as well as stop-motion films. Which I thought was exciting, because I hadn't really thought about that as a possibility.   

I visited the Harry Potter studio's in London a couple years ago, and thought it was incredible, especially the creature room, which had the snake head from the Chamber of Secrets, Buckbeak from The Prisoner of Azakban, Hedwig, Aragog, the dementors etc.. I think the world sometimes gets a little bit caught up in how realistic computer generated images can be, but in order for the computer graphics to look real sometimes they need a physical model to build on, and if the actors are interacting with a CG character, their performance is instantly better if they have some kind of puppet/model/ object to interact with. 

The video below has been filmed at the London studio showing just the creature room and some of the hand made models and gobblin head in there. 

There were so many people who worked on Harry Potter films and so many additional companies brought on board to help with certain things. I haven't been able to distinguish one particular company to look into. Therefore I've briefly researched a few different companies and some individual people as well. 

Nick Dudman caught my eye in particular as some one who worked with prosthetics, creature make up and animatronic puppets on the Harry Potter series. He is a multi-award winning make effects artist. He is certainly a talented guy and inspirational, it would be a priviledge to work with him.  

Some of Nick Dudman's prosthetic goblin heads.

 http://www.nickdudman.com/Welcome.html 

This is how I feel about my final deadline in just over 5 weeks 

Company research: Mackinnon and Sauders

http://www.mackinnonandsaunders.com/home/

Well what aspiring model maker would not love to work for Mackinnon and Saunders? 

"Mackinnon & Saunders are one of the world’s leading puppet making companies specialising in the design and construction of characters for television shows,feature films and commercials."

Ian Mackinnon and Peter Saunders' team of talented artists have over 30 years of experience, and have brought some of the worlds love animated puppets to life. From Bob the builder and Postman Pat, to big Hollywood films such as Wes Anderson's Fantastic Mr. Fox.   

The very company who's artists made the puppets for Tim Burton's Corpse Bride (2005) My favourite Tim Burton film by far. I love the contrast between life and death, and the irony that the land of the dead is more "alive" than the land of the living. Visually the film is extremely engaging with all the beautifully hand crafted puppets, props and sets in their cleverly chosen colours.

Fantastic Mr. Fox (2009)

I feel like I've said the same thing about stop motion over 100 times, about how incredible it is. How everything is hand crafted from scratch and the detail is fantastic. Unless your a stop - motion enthusiast, people just don't understand the amazing artistry, unbelievably amount of talent and patients it takes to create such an art form. Therefore, I'm going to try and not repeat myself, but I suggest you have a look at the making of videos for stop-motion films. Below I've added the making of video from Fantastic Mr.Fox, it's only a couple of minutes and worth it too.

   

Mackinnon and Saunders have made puppets for many feature films but also for commericals and television series too. Not only do they produce puppets but also provide consultancy for all aspects of animated projects from concept designs all the way through to production. The company also provides a full production service from "managing a project in Stop Motion, 2D or CG from concept to final delivery."

We can also help with any individual element of production from concept and script development to character design, budgeting, scheduling, talent hire, shooting and post.

Below is the link to Mackinnon and Saunders website, with a visual portfolio of their work and a full archive of everything they have ever worked on.

http://www.mackinnonandsaunders.com/home/

Work Experience with Immortal Pictures!!

I haven't posted for a while because for the past four weeks I have had the privilege to do work experience on the feature film "Chuck Steel: Night of the Trampires" written and being directed by Mike Mort. An Immortal Pictures production being produced at a brand spanking new studio based in Bridgend. The Stop-motion animated film is going to be one action packed epic phenomenon! Due for release in 2017. 

I had the opportunity to work in both the art department for two weeks and then the puppet department for a further two weeks. Working in both departments gave me a range of things to work on, and therefore get a real feel for the industry and where I would fit in/ make the best contribution. I have to say I have learnt so much in the four weeks in industry, but unfortunately I am unable to use the things I've learnt in my final year film as I've already made everything and don't have time to re-make anything. However, I'm sure the knowledge will come in useful soon enough.  Below is the short for the film "Chuck Steel: Raging balls of Steel Justice." 

Immortal Pictures Ltd, is a BAFTA award winning stop motion animation company based in the United Kingdom. At the top of the chain of command Mike Mort, producer and director. Having started on mostly commercials and TV series, such as award winning Gogs. Everything stop-motion, immortal pictures provides character design, model making, storyboarding, production and post production services.  

http://www.immortalpictures.com/

Already the crew at Chuck Steel are one hell of a talented bunch. With people who have worked on Tim Burton's Corpse Bride (2005) Frankenweenie (2012), Fantastic Mr. Fox (2009), Aardman's Chicken Run (2000) just to name a few. 

The crew also Includes past students from the very university which I attend. The talented James Carlisle who is puppet assistant on Chuck Steel, and who taught me how to cast body cores using two part fast cast and fil-lite powder. I've linked his blog below if you want to check it out;

The image above is from James Carlisle "cut from the same cloth" an amazing, and touching stop-motion film. 

http://jamescarlisle.blogspot.co.uk/

Two very important modellers at Chuck Steel are Joshua and Nathan Flynn, they're work is very well known at the University of South Wales, and it was their work that drew me to the University. Having graduated 3 years ago, the guys are doing extremely well for themselves, and I strongly recommend you take a look at they're website. 

http://sculpt-double.co.uk/

The image above is from Joshua and Nathan's student film "Opening Night"